Dancing with the Seasonal Blues

“I’m on the fence,” I said with one hip leaning against the doorframe and a hand on the other. “Do I go to bed early, or do I go dancing?”

My housemate Amber looked at me from across the hall, “Well, would you regret it if you didn’t go?”

I shifted onto the other foot, pushing myself upright, thinking.

“Probably,” I paused. “But I just don’t know if I have the energy to go out and interact with people right now.” She nodded, her blond hair casting an angelic glow into the dimly lit hallway between our bedrooms.

I knew she understood, and it was a relief to tell her how blue I was feeling without any shame.

I stood in the silence for a minute longer, moving my hair from where it rested on my upper back to the right side of my neck. It dangled above my shoulder, the ends settling against my collarbone. I breathed in slowly as the cool air swept its fingers across my skin, sending a little shiver down my spine.

Everything felt heavy. A part of me wanted to go to bed and sleep for a week straight, but I knew that wasn’t actually what I needed. My seasonal depression, although it has never been formally diagnosed, has become a familiar entity during the long gray months of Oregon’s rainy season. It has an uncanny ability to drop a veil between the world and me, causing a deep exhaustion and feeling of separation.

Standing in my socks on the hardwood floor, I watched Amber fold clothes and weighed my options. I didn’t want my depression to win.

“Okay, I’m going to do it!” I said suddenly, more to convince myself than her.

She smiled, looking up at me from the laundry pile on her bed. “Good! I think you’ll sleep better after dancing anyways!”

I already knew what I was going to wear: the vintage yellow dress with little red flowers perched atop dainty black stems that I’d brought home from a recent trip to Astoria, Oregon.

The dress had inspired a daydream when I first saw it hanging demurely on the shop rack. Suddenly I was wearing red lipstick, coyly shushing my billowing dress as a rugged, bearded man eyed me seductively from across the room. When I came to, however, I was still wearing blue jeans and tennis shoes, standing in the middle of a carpeted thrift store on a day characterized by looming gray clouds and sputtering rain. Such is life. But I knew the dress had to be mine.

Now it was just the thing I needed to convince me that heading out into the world on a gray Tuesday night would cheer me up. I slipped the dress over my head and hooked the metal tips of two shiny, round earrings through my earlobes. In front of the bathroom mirror, I ran a mascara brush twice through both sets of eyelashes, spritzed my neck with rose water and pulled on a pair of tan suede boots. The dress’ high waist and cheerful color made me feel feminine, and a little flicker of excitement leapt through my stomach before disappearing again into the lingering numbness I had been feeling all day. I stashed my black, suede-bottomed ballet slippers in my purse and zipped up a hooded fleece before calling “Bye!” to Amber on my way out the door.

The cherry-wood floor was glowing beneath golden lights. Old timey blues drifted out of the speakers and the ballroom was full of dancing couples. I was already glad I’d left the house.

In order to blues dance, you need two people – one to play the lead role (giving the non-verbal cues of where and how to move) and the other to play the follow role (listening to and following the lead’s cues to stay in sync). I prefer the follow role.

My first two dances didn’t flow, and I wondered if I’d be able to break through the numbness. I felt stiff and distant from my dance partner, still absorbed in my thoughts and disconnected from my body. But I kept at it.

“Would you like to dance?” I asked a man in a black collared shirt standing near the center of the floor. Dancers swayed and dipped in every direction around us. “I would!” he replied and extended a hand. I held on and we paused for a second, listening for the beat.

Dancing in Portland, 2012.

Dancing in Portland, 2012. Photo by Drew Tronvig.

The music was a traditional blues song, slow and earthy. I swayed my hips, feeling the light swish of my dress as it lifted on the breeze of my movement. He led me through a double spin and then we glided a few steps diagonally. We sidestepped, faced each other again, and then swayed low, knees bent, our torsos counterbalancing one another. Upright once more, he asked, “How is your day going?” The words momentarily broke the spell of my fog.

“It’s been alright, I guess. To be honest, I’ve been in a bit of a funk lately,” I said over the top of his right shoulder, feeling suddenly vulnerable and relieved at the same time to have told the truth.

He nodded his head – I felt the tension in his arm shift as the subtle movement traveled down through his neck muscles all the way to his wrist.

“Everyone feels that way sometimes,” he answered, reassuringly.

I took a deep breath and let the music resonate through my torso. I closed my eyes and surrendered; he dipped me, I followed, arching my head back expressively. As he pulled me back upright with a palm on the center of my upper back, I felt my hair momentarily lift into the air like two wings expanding when a bird takes its first leap off the branch into open sky.

We hugged each other at the end of the song and parted by saying thanks, each of us heading back into the crowd to find another dance partner.

Going into my next dance, I felt a little lighter. Perhaps it was the music, or the primal warmth of being touched, or the release of pressure by way of being real with another human being, even if for a moment. A little crack in my shell of depression had appeared, and I could peer through it to see the light on the other side.

A stout young man about my height with sandy brown hair stood facing me, our clasped hands were poised in mid-air at our sides as we waited for the next song to begin. Then with a subtle shift in tension, we began to move. Our torsos twisted in opposite directions, like two magnets repelling one another. We twirled as a pair twice and then came back to face each other, this time a little closer. My forehead brushed against his cheek and I noticed a gentle vibrating in his chest, as if a bee was hovering behind his rib cage. A few minutes later, I realized he was humming along with the music.

As we danced, I wondered how many other people came to the ballroom feeling depressed, alone, or sad.

Two summers ago, I’d learned a powerful healing technique for partner dancing during a blues dance immersion weekend (called an “Exchange”) where I attended workshops in-between river dips and late-night dances in the woods. During the third day of the Exchange, I took a course where we danced with a partner, while letting them feel anything they wanted to. Meanwhile, we supported them with the intention of ‘being there’.

An incredible thing happened when we tried this. Many of us reported feeling validated, empowered and connected to one another in a deep, profound way, even though we’d only just met. It was a life-changing moment for me and I thought of it now. Perhaps it would be a good night to try it again.

I’m here for you, I repeated silently in my mind. My partner was still humming as he lifted his arm to twirl me. The momentum caused my yellow dress to fly outwards, creating a sand dollar shape around my hips.

“What a pretty dress!” he proclaimed, smiling.

“Thanks!” My cheeks flushed pink.

I closed my eyes again, and surrendered to the movement; felt down into my feet, rooting me. The hardwood was stable and solid beneath the thin fabric of my ballet slippers. I’m here for you. He glided me across the floor, held me closer. I leaned in. I could feel every breath – both our hearts beating. The music suddenly felt alive, like a song coming through me. I was aware of the emotion our bodies exuded, and every subtle movement communicated a feeling.

Blues Dancing in Barcelona, Spain, 2013.

Blues Dancing in Barcelona, Spain, 2013.

Something dawned on me mid-way through the dance. I realized I was actually speaking to myself. I’m here for you, I kept repeating, each time softening a little more into the present moment, remembering how to love myself.

Gradually, the foggy shell of my depression melted away, and for the first time all day, my mind was clear, and I was present. I felt the soothing warmth of his hand as it cupped my lower back, guiding me. When the notes faded to a stop, we let go of one another to make eye contact. I was so grateful for the dance. We hugged each other before parting ways.

At the end of the night, I stepped outside onto the covered sidewalk. A block later, right after I’d left the shelter of the cover, rain poured down in glittering sheets. It was as if the sky was just waiting to dump a river of water right as I walked beneath its open arms.

I laughed, feeling like somehow it was a trick played just to test me.

Challenge accepted.

I held onto my purse and began to run. I let my jacket flap open, and felt the cool water wet my hair. I grinned as droplets slid down my cheeks and off my chin.

This is what life’s about after all. Dancing in the rain, dancing with the blues, stepping forward anyways, open. Open and alive.

—-

Check out this short video clip of my good friend Richard and I dancing! And some pictures…

Dancing in Portland, 2012.

Dancing in Portland, 2012. Photo by Drew Tronvig.

Dance Exchange in Seattle, 2012.

Dance Exchange in Seattle, 2012. Photo by Drew Tronvig.

Dancing in Barcelona, Spain, 2013.

Dancing in Barcelona, Spain, 2013.

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5 thoughts on “Dancing with the Seasonal Blues

  1. Naomi Jensen says:

    Lovely, Abby. I feel a new page turning under me this fall. It has always been so hard to accept the end of summer. You’re right, sleeping for a week won’t help in the long run. What I really want right now is to figure out how I can work from home, to be satisfied as a mother and writer. I am terrified but I think I’m finally ready to figure out how to make it happen.
    Thank you for the words, “I’m here for you.” I need myself in a new way. There is no replacement for having faith in oneself. I think summer makes it easy for me to forget my commitments and perhaps pretend that they do not exist, fall has always felt like the start of a new year (maybe because I still associate it will school starting even though I’m no longer a student), and with that new year comes an invitation to accept opportunities. This year I’m going to start submitting work, knowing that if nothing comes of it at least the burden of procrastination will be lifted. I’m so weary from carrying that load. I’m holding my own hand and telling myself, “I’m here for you.”
    As always, thank you for your wisdom.

    Like

    • Abigail says:

      Thank you for such a wonderful comment, my dear! I understand what you speak of when you say you want to relieve the burden of procrastination and start submitting your work. I’m constantly struggling with that very thing! Fall feels like a new beginning, because it is! There’s a shedding of leaves and what is no longer necessary, and we trod into winter fresh-eyed like newborns, exposed and vulnerable, but open to miracles! Much love sweet friend. Kiss that baby boy for me! Xo

      Like

  2. FABULOUS! Brought tears to my eyes; joy filled tears that you share your journey of self with us! “I am here for you!” If only we could make that a world mantra huh?! Thanks Abby ~ ❤

    Like

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